Artist Notes: I’m drawn to grain elevators not just for their architecture and scale, but for what they represent—structures built for work, now often standing quiet in the changing landscape. This piece reflects that connection: a solitary elevator lit by morning light, its faded lettering just barely visible. There’s something about that stillness and memory—the way these buildings seem to absorb the history around them. They’re part of the landscape, but also markers of time and purpose.

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